Decisions

There are no wrong decisions and there are no right decisions.

Decisions are taken in small fractions – too small to be relevant.

When you zoom in to a moment in time, where a particular decision is taken, there are always decisions before that moment. Earlier decisions, that led to the moment when this decision was possible, and before that were lots of other moments, when small decisions were taken. Lots of micro-decision so to say. And every micro-decision had alternatives. When was the exact moment, when George W Bush decided to go to war against Iraq? For sure not when he went down the aisle in the White House towards the podium, where the cameras were waiting. So when did he take that decision? You could go back in time further and further, maybe “the real” decision was taken by someone before Bush. Whatever moment you would want to identify, there were decisions taken before that, that were necessary to create a world in which the next decision was in the space of possibilities.

But we agree, there was a decision to go to war. But what we mean with “decision” is basically a cluster of micro-decisions, stretched over a longer or shorter period of time.

Why is this important?
We speak of a decision and we are used to conceptually nail it down to a point on a timeline. The logic of the timeline (in this talk I called it “Hollywood logic”) suggests that a decision, once taken, can not be changed (because it is in the past). But if you think of paths instead of decision-points – you can always adjust a path, even without leaving it, as the path is created while you are moving. Even after Bush declared the war, he could have changed the path at any point in time, after he has observed that the direction taken, leads into misery.

But the audience (trained in Hollywood thinking) does not appreciate politicians changing their mind once they made “a decision”. Because of that politicians feel like they have to stick to their decisions. Politicians seem to spend a lot of energy on ignoring observations, because they don’t want to look like they took a wrong decision.

In a world, where the concept of a decision does not exist, you can not take a wrong decision. You can easily adjust your path when you feel you are getting into hot waters. That goes for politicians and of course for everyone else. As observation shows, the weird concept of decision-points on a timeline – with each decision with potentially scary consequences – makes it had to adjust paths, leads to bad results and makes people miserable.

The simple way out: Look at it like that: Every moment holds many possibilities – whatever decisions you took in the past.

LATK#1 – Wie wir Geschichten erzählen (GER)

LIFE ACCORDING TO KORSAKOW #1
Wie wir Geschichten Erzählen

(this podcast is in German)

Wie uns die Art, wie wir Geschichten erzählen blind macht, für die Welt. Ein Vortrag, den Florian Thalhofer am 11. Oktober 2016 anläßlich der #DKT16 in der Humboldt Universität in Berlin hielt. 

Music by Jim Avignon / Neoangin and Ilja Pollach, Cologne.

 

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The way we tell stories

2_05_Dramaturgie_2

Telling stories might not be the only way, how we make sense of the world, but it is for sure the most important one.

Since film was invented – and that was in fact not too long ago – the way we tell stories, the way we see the world, has changed. We might not be aware of it, because when ‘normal’ changes, it is hard to see.

LINEAR THINKING

Filmic narration, the continuous exercise of watching films and making films has formed our way of thinking.
Film has trained us in linear causal thinking, which is good to solve certain kinds of problems, but for other kinds this approach is not helpful at all. We have piled up a big mountain of problems that are unsolvable with the method of thinking we are trained in so well.
Climate change, the energy problem, the economic crisis, the clashes of believes – to name just a few.

TENDENCY TO EXTREMES

They way we tell stories is fascinated by extremes. Things that are spectacular are told and retold, no matter how unimportant they are. This produces noise and makes us blind for the really important issues.

The way we currently tell stories make us blind for the world.

What could alternatives look like?

Abstract of my talk at iDocs, next week.

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